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Swan Song

May 3, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

The Lake of the Swans

In lines and lakes we gather

beating many hearts as one

In rows and flocks we’d rather

spin a tale that’s nary done

Telling stories from the borders

strength in numbers never fails

Until the roles we hope to realize

doth a time and place avail

We hold the weight of dreams encumbered

by narration’s fateful choice

Which claims the bodies of the corps

to give the higher ranks a voice

As hindsight loves to reason

lives we solely choose to live

Time must past to understand

the value only we could give

Moving onwards to new journeys

rows and lines will start to bend

Corps de Ballet

spells the story of a bond that never ends.

— written on a regional Amtrak; Manhattan bound. 03.27.2016

Photograph by Haroldo Kennedy.

(via)

Filed Under: BALLET, BALLET DANCERS, SONG, SWAN

Moments Of Truth For Actresses

May 2, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Moments of Truth

A collection of thirty brutally honest monologues, Moments of Truth delves into the minds of women and delivers the truth. Based upon real stories these monologues are presented workbook style with accompanying questions to assist the actress in developing her character and bringing more of herself to each piece. It’s like having an acting coach sitting right next to you

Filed Under: ACTING, ACTORS, AUDITION, BOOKS, CASTING

How To Prepare Yourself For Dancing On An Unfamiliar Stage

May 2, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Ballerina by Mai Jüriado

Chelsea Bradley, a freelance choreographer based in Madison, Wisconsin, where she teaches contemporary at Monona Academy of Dance and serves as resident choreographer for Dance Wisconsin, gives us the following steps.

1. Find your spot

Spotting is easy in the studio. I often tell my dancers to use the mirror to look themselves in the eyes. However, when there is no mirror, we must adjust. The most common item in convention center ballrooms and theaters are “exit” signs. If there are none, look for non-moving lights or visible signs. 

2. Survey the floor

If you are able to look at the stage before you perform, consider the following to visualize the spacing of your choreography:

  1. Are there wings (and if so, how many)?
  2. How many strips of flooring (or tape lines) are there?
  3. Are there markings for center or quarter?

If you will be wearing pointe shoes, always have rosin with you in case the stage appears slippery.

3. Check for distractions

Being aware of these distractions before you dance makes it less likely that they will disrupt your performance.

4. Visualize

Once you have surveyed your external surroundings, it is important to make sure that you are mentally prepared to perform. After you have warmed up, use an mp3 player to listen to your music.

 

Photograph by Mait Jüriado.

(via)

Filed Under: BALLET, BALLET DANCERS, CHOREOGRAPHY, DANCE, DANCERS

How Does An Opera Singer’s Voice Actually Work?

May 2, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Vocal Coach, Paul Farrington

Ever wondered how an opera singer manages to project their voice over a full orchestra? Or how tiny changes in posture can affect the vocal folds?

Vocal coach Paul Farrington shared these secrets and more at a coaching session with Korean tenor and Jette Parker Young Artist David Junghoon Kim, as part of a recent Insights event celebrating the opening of the Wellcome Collection’s This is a Voice exhibition.

‘If you were to drive down the road at 50 miles per hour in first or second gear, what kind of noise would the engine be making? It would really be working hard and the vocal folds are the same,’ explains Paul. ‘So we need to make sure that we are in the right gear for where we are in the range in order that the vocal folds are vibrating optimally’.

During the session, Paul demonstrates how specific vocal techniques and movements can support a singer’s passaggio.

Photograph by Brian Slater.

(via)

Filed Under: OPERA, OPERA SINGERS, SINGERS

Freddie Mercury & Montserrat Caballe: How Can I Go On

April 29, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Enjoy Freddie Mercury & Montserrat Caballe on “How can I go On”, from the album, Barcelona. Freddie wrote 12 songs that they recorded together including the opening song for the Winter Olympics in Barcelona, Catalonia.

Filed Under: FREDDIE MERCURY, MONTSERRAT CABALLE, MUSIC, MUSICIANS, OPERA SINGERS, SINGERS, VIDEO

Want To Perform Your Best? Prepare Your Monologue

April 29, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Want to perform your best-

Filed Under: ACTING, ACTORS, AUDITION, BREATH, MOVEMENT, THEATRE

How To Improve Flexibility

April 29, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

ballet-grand-jete

Improve flexibility by performing a few cardiovascular exercises before stretching, in order to loosen up the muscles in the body and increase circulation. Increase flexibility by stretching the legs, quads and hamstrings with tips from a gymnastics coach in this free video on gymnastics. Watch the video below.

Filed Under: BALLET, BALLET DANCERS, DANCE, DANCERS, EXERCISE, FLEXIBILITY, VIDEO

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