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INTERVIEW

Interview: Abdiel Cedric Jacobsen, Dancer

November 9, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Abdiel Cedric Jacobsen photo by Brigid Pierce

When did you start dancing?

I began dancing when I was in the womb, taught informally by my mother through the blood memory of her ancestors. My mom is Ivorian – from Côte d’Ivoire – and when we were little kids she would push aside the coffee table in the living room to teach my two older sisters and I West African dances from the Ivory Coast.

We started a dance troupe called Akwaba and at 8 years old I began performing West African dances with my sisters for different cultural events. However, it wasn’t until I was 15 years old when I took my first ever dance class. It was a Ballroom Dance class at Arthur Murray Dance Studio. Then and there is where I began my formal dance training.

Why did you start dancing?

My mom’s passion and pride for her culture was always present in the house. She loves dancing, (my dad as well), so I was influenced by her great enthusiasm. All I wanted to do was dance and would drive my family crazy always dancing around in the living room. I was an addict. I mostly started dancing because it made me feel happy and free and I loved interacting with others through social dances.

Which dancer inspired you most as a child?

As a child I was most inspired by Michael Jackson. I wanted to dance just like him.

Which dancer do you most admire?

Martha Graham would be the dancer I admire the most because she revolutionised dance in the theatre by developing a way of communicating the essence of what we experience as humans. She gave back dance its humanity in the theatre. She also used her dance language as a vehicle to empower the individual that broke barriers of race, gender, ethnicity and status.

What’s your favourite role?

One of my favourite roles to dance is the Minotaur – Creature of Fear- in Martha Graham’s Errand Into the Maze. After doing this piece, you are transformed into a superhuman.

(via)

Filed Under: ABDIEL CEDRIC JACOBSEN, DANCERS, INTERVIEW

Interview: Alexander Ullman, Pianist

November 8, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Who or what inspired you to take up the piano and pursue a career in music?

Many people and things. My parents bought me a piano when I was six and my passion for music started there. The love affair was never something I could imagine giving up so the choice of career paths was not a difficult one.

Who or what were the most important influences on your musical life and career?

All of my teachers and the composers that guided me through my development as an artist.

What have been the greatest challenges of your career so far?

Dealing with a hand injury when I was sixteen and the recovery from that.

(via)

Filed Under: ALEXANDER ULLMAN, INTERVIEW, PIANIST

Patti Smith Interview: Advice to the Young

October 26, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ADVICE, INTERVIEW, PATTI SMITH, VIDEO

Natalie Portman Interview

September 7, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ACTING, ACTORS, INTERVIEW, NATALIE PORTMAN, VIDEO

The Meaning Of Parsifal

August 26, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Eric Laufenberg

In a recent interview with DW,  Eric Laufenberg had this to say about his interpretation of Parsifal:

This piece basically focuses on the religion of Christianity. On one hand, the grail knights in “Parsifal” inhabit a realm of charity, empathy and sympathy, and they come to the aid of the needy. Then there’s the other side: a crucified God, blood rituals and military symbolism.

I believe that Wagner wanted to bring out the factors of benevolence and mystery in this work. Not to openly criticize religion, but to enable one to experience it. That’s interesting in our own times of widespread religious fundamentalism – but also in times of a Pope Francis, who has been de-emphasizing the institutional side of the Catholic Church and stressing the factors of mercy, grace and benevolence.

It’s always been pertinent to ask: What are religions doing, and are they allowing themselves to be abused for ideological purposes? What do they really stand for?

If you just consider the text, “Parsifal” is difficult, yes. You need the music. It explains so much in detail, and you have to get a sense of that. Such is the case with the happy ending. Wagner knew this would be his last work. At the final uncovering of the Holy Grail, the violins soar upwards, the harmonies become clearer, and everything finally dissipates into nothingness. It’s like a final breath, the utopia of a dying man, as it were – a very beautiful, holy, peaceful utopia.

(via)

Filed Under: ERIC LAUFENBERG, INTERVIEW, PARSIFAL, WAGNER

Anna Netrebko – In Questa Reggia

August 25, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ANNA NETREBKO, INTERVIEW, OPERA, OPERA SINGERS

Life As An Artist: Auditioning For Cirque du Soleil

August 23, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ACROBAT, CIRQUE DU SOLEIL, INTERVIEW, VIDEO

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