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Richard Dreyfuss on Winning an Oscar

September 21, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Richard Dreyfuss

While most actors say they felt validated after winning an Oscar, Dreyfuss admits that he felt like he made worse choices after winning one. He reveals, “It probably made me turn down some things I would probably not have thought of turning down had I not won the award. You’re riskier when you’re on the hunt.”

Of course, even Oscar-winners like Dreyfuss face challenges — and many of them are internal and ego-driven. He explains, “I’d been acting since I was 9. So, sure, I had my years of apprenticing. And while I was never uncertain I would finally succeed, I did have my years of bad acting and losing jobs before I ever became prominent in the public eye. I also had a firm grasp on a great sense of denial. I kept thinking I was the greatest actor since cottage cheese, and then when I looked back at the work I was doing at that time, I thought, ‘Holy moly, why didn’t they just lock me up and throw away the key?’”

(via)

Filed Under: ACTING, ACTORS, OSCARS, RICHARD DREYFUSS

Jonas Kaufmann’s New Album: L’Opéra

September 21, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: JONAS KAUFMANN, L'ÓPERA, OPERA, OPERA SINGERS, TENOR

Watch a Musician Improvise on a 500-Year-Old Music Instrument, The Carillon

September 20, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: MUSIC, MUSICIANS

Believe in Life

September 20, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Henry Moore's quote

Filed Under: ART, ARTISTS, HENRY MOORE, QUOTES

Watch: Anna Netrebko Also Dances

September 19, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

View this post on Instagram

A post shared by Anna Netrebko (@anna_netrebko_yusi_tiago)

Filed Under: ANNA NETREBKO, OPERA, OPERA SINGERS, SOPRANO

Interview: Natalya Romaniw, Soprano

September 19, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Natalya Romaniw

As a musician, what is your definition of success?

I think success is what you make of it. For me I already feel a huge sense of success personally as I am here maintaining a career that I love and enjoy. Performing in front of audiences who have paid to be there and see and hear you always makes me feel slightly horrified but then it also makes me care so much about what I am able to give back in return and that gives me a huge sense of success and achievement. Of course, there’s another aspect to the success of a great career but mine is still building itself and I am in no rush to be singing leading ladies at The Met, though one day, that would be very nice!

(via)

Filed Under: NATALYA ROMANIW, OPERA, OPERA SINGERS, SOPRANO

Interview: Will Samson, Composer

September 18, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Will Samson

What have been the greatest challenges/frustrations of your career so far? 

The age old problem of working tremendously hard but earning a tiny amount of money as an “artist” is always a big issue. It’s absolutely no wonder to me why so many musicians suffer with severe anxiety issues because of this.

Money is persistent source of genuine worry for many musicians (including myself), but it’s always difficult to find a job in between that is flexible enough to allow space for touring or recording.

A lot of people don’t realise the huge amount of costs involved with touring, that the artists have to cover themselves. It’s not uncommon for bands to finish a tour with barely enough money left over to cover their month’s rent.

Luckily for me, I mostly play either solo or duo, so I don’t have particularly high touring costs (van hire, backline hire etc). Although, being a solo artist certainly has its downsides too. It can be a very bizarre and isolating feeling to return to an empty hotel room, having just deeply connected with a room full of 200 people shortly before. If there is a bad show or a brutal album review then it can be a heavy load to take alone.

It’s also becoming increasingly difficult to get any press for new albums. I know more and more artists who spend many months (or years) crafting an album, only for the release to totally slip under the radar. Not enough press then has a dramatic effect on agents’ abilities to book shows, which can be deeply disheartening when an artist wants to perform. I’ve certainly experienced that before.

(via)

Filed Under: COMPOSER, INTERVIEW, WILL SAMSON

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