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ACTING

“Scam” Paid Auditions vs. Legitimate Acting Classes

July 25, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Differences Between Paid Classes With Industry vs. Paid Auditions

Classes / Workshops:

A class for actors is one that is either held over an extended period of time (several weeks or several months) or in an evening. Beneficial acting-career skills are taught to the actor, and during that learning process constructive feedback is given to the actor by the instructor and/or invited entertainment executive(s). Entertainment executives may include: casting directors, talent agents and managers, directors, or actors with well-established careers.

Paid Auditions:

Actors pay a fee to be seen by an entertainment executive or panel via a monologue, or a hurriedly put-together scene. No feedback to the actors is offered. The session for each actor lasts several minutes. The session for the executive(s) is a duration of several hours as the actors are presented like cattle at an auction. These studios often herald in their advertising, or via email blasts, that the studio is responsible for every career advancement made by each actor who shuffled through their system no matter how long ago the actor was herded through the studio’s chute. Often the studio has no association with, or influence on, the actor’s toil in procuring the booking(s). Some of these studios now advertise “exclusive rights” to a casting director or talent agent as attending only that studio’s sessions. “Tisn’t morals, ’tis money that saves…”

Are Paid Auditions Valuable?

A good number of actors have formed professional relationships with agents and/or casting directors from these scenarios. More actors though have found the one-night stand paid auditions to be a frustration. The feeling disenfranchised actors are the most vocal in opposition to what is perceived as a paid audition.

Filed Under: ACTING, ACTORS, AUDITION

How To Break Into The Acting Industry

July 12, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ACTING, ACTORS, VIDEO

Few Ways To Get Your Name Out There

July 11, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

acting tips

Filed Under: ACTING, ACTORS, CASTING

Acting Advice From Robert De Niro

July 8, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ACTING, ACTORS, ROBERT DE NIRO, VIDEO

Conversations With Helen Mirren

July 6, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ACTING, ACTORS, HELEN MIRREN, INTERVIEW, VIDEO

10 Tips For Choosing The Best Monologue For You

July 1, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

  1. Know your casting type and be realistic about it. A good way of discovering this to ask other people in the industry. If you choose a piece that is something you’d LIKE to do as opposed to something that truly suits you, you are unlikely to stand out among the competition- there will be plenty of others who ARE that particular casting type.
  2. Know your age range. Again, be realistic about this and ask people in the industry for honest opinions then stick to that age range for your monologue.
  3. Play to your strengths. It’s great to experiment and try a wide range of monologues to practice but when it comes to what you choose to use for auditions, play to your strengths and show yourself being the best that you can be.
  4. Choose a monologue with shifts in emotion. The most interesting monologues to watch are the ones with changes in emotion. This will make it more compelling to watch and will show more of what you are capable of.
  5. Choose one that matches the role you are going for. The closer you can match your monologue to the role you are going for, the better. It’s no use showing how skillful you are at comedy if you are going for a drama.
  6. If they haven’t specified timings, keep it short. People generally make their minds up in the first few seconds anyway. Keep them wanting more.
  7. Choose a strong character. It’s easy to switch off if the monologue is about someone who is feeling sorry for themselves and is whinging. Choose feisty, strong roles. Survivors not victims – these are the characters people prefer to watch.
  8. Do not change your accent. Stick to your own accent. You’ve been invited to the audition because of who you are, and if you deliver your monologue in a different accent, you won’t be giving them what they wanted when they called you in- which is you! The exception to this of course is if you have been asked to do a different accent, and even then only go for it if you are flawless.
  9. Stick to the present. The most dynamic monologues are those that are in the present where the character has a strong need for something right now, as opposed to reliving a memory.
  10. Avoid iconic scenes where possible. They will have been seen a million times and people won’t be able to help themselves but to compare you to the actor who performed the original.

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Filed Under: ACTING, ACTORS, MONOLOGUE

10 Email Mistakes Actors Make

June 30, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

1. Forwards

Actors forwarding their prior sent email(s) to industry by sending as ‘new’ old correspondence to other industry contacts advertises that the actor is lazy.

2. Email Addresses that are Tinder or Grndr Bound

How serious of casting or representation consideration of an actor is an entertainment gatekeeper to pursue when an inquiring actor has an email address beginning with ‘SexyStarr@,’ ‘MyOscarAwaits@,’ or similar correspondence handles?

3. Dear Mr./Mrs. as Greetings

I’ll never be a Mrs. or a Mr. (my testicles don’t respond to either greeting).

4. Begin with Positive not Negative

From a recent actor’s email:

“As a casting director you may literally go through thousand [SIC] of cover letters and resume [SIC] every day,”

5. Incorrect Capitalization

From an actor’s email to casting:

“Being a Film Actor who has been an Actor for many years I know your office to be the best Casting Office with many Casting Directors who work on Stage and Screen Projects. My Acting Training is extensive at many Performing Arts Schools…”

6. Attaching (multiple) Headshots, Resume(s), or Reel(s)

An actor’s resume is to be placed within the body of an email.

7. Using Vocabulary that Doesn’t Match Your Speaking Voice

8. Using lots of Vocabulary to Say Nothing of Substance

9. Not Having a Proof Reader

10. Telling the Reader You’re Serious About being an Actor

In the following excerpt of an actor’s email all blunders, 7-10, happen simultaneously:

“I would appreciate if you see my resume wherein I have mentioned my experience and knowledge. If your watched my reel you can see how seriously I have taken this profession.”

 

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Filed Under: ACTING, ACTORS, EMAIL MISTAKES

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