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ACTING

Winona Ryder On Aging In Hollywood

August 4, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Winona-Ryder-Stranger-Things

Stranger Things is the latest talked-about Netflix hit series, and one of the most praised aspects of the supernatural drama is the performance of Winona Ryder. The former 1990s “it” girl stars on the series as a mother who is searching for her missing son and discovers she can communicate with him through unbelievable means. Ryder spoke to the New York Times about her role on Stranger Things, being an actress over 40 in Hollywood and “mom” roles, and what good came out of her 2001 shoplifting conviction.

Though Ryder is of the age where she is playing mothers of young children, because she does not have children herself she turns to an obvious place for guidance — her own mother. She explains, “I don’t have kids, so my mom helped me a lot on this. I’d call her sometimes and say: ‘Mom, what would you do if every indication is that your child is dead, but you believe that lights are telling you that he isn’t?’ And she’d say: ‘Honey, I’d totally believe that. It’s primal.’”

On top of that, while Ryder is determined to stay relevant, she points out that Hollywood’s age problem with actresses is a deeply-rooted issue. She says, “I love watching old movies, and I read a lot of autobiographies. Apparently Bette Davis and a lot of actresses had a hard time in their 30s, too.”

Filed Under: ACTING, ACTORS, AGING, WINONA RYDER

Review: Does ‘Cats’ Have Nine Lives on Broadway?

August 2, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

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The overriding spirit of the revival appears to be the familiar motto: Don’t mess with success. Once again, the production is directed by Trevor Nunn, with sets and costumes by John Napier. Once again, a Broadway theater has been transformed into a grungy London junkyard, where trash piles up against the walls and spills out into the auditorium — albeit on a somewhat smaller scale. That levitating tire, as famous a set piece as a certain falling chandelier, presides once again at the back of the stage. (Apparently the license plate on the battered car, which reads “NAP 70,” is an in-joke indicating how many productions Mr. Napier has designed. Imagine how many leg warmers have been involved.)

The most significant nod to the intervening decades and changing tastes is the hiring of Andy Blankenbuehler — the Tony-winning choreographer of “Hamilton,” the newest now-and-forever musical (to borrow the marketing slogan from the first “Cats”) — to groom the original choreography by Gillian Lynne. (Ms. Lynne gave an interview to the website and newspaper The Stage in which she said she felt positively murderous at this betrayal.)

With its thread of a plot, about which feline will be chosen by the lord of the cat kingdom, Old Deuteronomy (an aptly august-acting Quentin Earl Darrington), to ascend to something called the “Heaviside Layer” on the night of the annual “Jellicle Ball,” “Cats” is basically a series of divertissements. The felines prance and romp and occasionally hiss at one another as they introduce themselves in songs that provide the show’s greatest allure, as well as its variety.

Mr. Lloyd Webber is a musical magpie who can compose soaring pseudo-classical music as smoothly as he can jaunty music-hall-style jingles or jazz-inflected rock songs. His dexterity as a composer has never been more vividly showcased as it was, and is, in “Cats.” (His “School of Rock,” with a zesty pop-rock score, is currently installed at the Winter Garden Theater, the original “Cats”-box.)

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Filed Under: ACTING, ACTORS, CATS, PERFORMANCE, THEATRE

In Comedies, If You Are Not Adding, You’re Probably Be Forgotten

August 1, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Rebel Wilson

Filed Under: ACTING, ACTORS, QUOTES, REBEL WILSON

How to Bring a Scene to Life and Captivate Your Audience

August 1, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

The-Wolf-of-Wall-Street

It’s up to you to BRING THE SCENE TO LIFE for it to be believable.

How do you do that?

You need to believe it yourself.

Research.

Read and re-read your script until you know every single detail and then research the hell out of your character. Find out what makes them tick, why they react in certain ways, what their beliefs are and what experiences have led up to this point.

Imagine.

If it’s not given to you by the script, imagine the rest. The more detailed you can make it, the better. Make strong choices.

Relax.

When you are relaxed, your creativity will open up and you’ll be more able to act on instinct.

Visualize.

Step into your character’s body and see the world through their eyes. As you prepare for your scene, visualize what is happening immediately beforehand- this will help you find the right energy, pace and feel of your scene.

Focus.

Focus on what is going on in your imaginary world, on the other characters and on what you (as your character) NEEDS.

Do not focus on whether or not your audience are enjoying it, and whether the director is happy with your performance or not.

Then…

Get lost in the world you have created in your imagination.

 

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Filed Under: ACTING, ACTORS, AUDIENCE

Watch 26-year-old Brad Pitt (Interview 1990)

July 29, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ACTING, ACTORS, BRAD PITT, INTERVIEW, VIDEO

Why Surprise Is The Secret of Theatrical Success

July 29, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Startlingly brilliant … Jesus Christ Superstar at Regent’s Park Open Air Theatre, in London. Photograph: Jane Hobson/Rex Shutterstock
Startlingly brilliant … Jesus Christ Superstar at Regent’s Park Open Air Theatre, in London. Photograph: Jane             Hobson/Rex Shutterstock

Surprise often comes with the shock of the new, partly because too much expectation about a show dulls the senses. I’m thinking of seeing the unknown Gregory Burke’s electrifying Gagarin Way, or stumbling across 1927’s Between the Devil and the Deep Blue Sea at Edinburgh in 2007, or watching Jonathan Harvey’s Beautiful Thing at London’s Bush theatre in 1993. There’s an exhilaration in being part of an audience that has seen something really special, something that most of the world still doesn’t know about. After seeing Black Watch in 2006, I recall how the audience could hardly contain their excitement as they left the Traverse in Edinburgh. Complete strangers were beaming at each other.

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Filed Under: ACTING, ACTORS, MUSICALS, THEATRE

Jeff Bridges on Creating a Character

July 28, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

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Bridges has made a career out of playing cowboy-like characters despite his Los Angeles roots. He gives credit to his father, actor Lloyd Bridges, for getting him interested in westerns. He explains:

Well, the first thing that pops into my mind when it comes to playing cowboys is my father, Lloyd Bridges. When I was a little kid I loved to dress up like a cowboy—put on the boots, hat, and walk around. He was in a lot of westerns and my Dad loved to ride. We’ve had a ranch for almost 40 years now in Montana, so I’m around a lot of western guys. And also another thing is my stand-in, Loyd Catlett, we’ve done close to 70 movies together and we met onThe Last Picture Show back in 1970. Since we’ve been working together, we’ve become friends all these years, and he’s from Texas and was hired not only as an actor on that film but also to teach us California kids what it’s like to be a kid from Texas. I owe a lot to him when I do my western characters, especially.

But for me, as I guy who loves to go to movies, I find a movie like ours orStarred Up, that was made for a couple hundred thousand bucks, or Once, which was made for nothing, as far as being entertained, those surpassed many superhero movies that I’ve seen. So I think the fact that we do have these big, multimillion dollar films—there’s a backlash to it, and you also have very inexpensive movies that are pushing the envelope in a different direction. I just saw a movie called Tangerine, a whole movie shot on iPhones. The state of Hollywood is in an interesting place.

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Filed Under: ACTING, ACTORS, CHARACTER, JEFF BRIDGES

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