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How to Change Your Spotify Bio

October 6, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Spotify

  1. Open Spotify for Artists, go to Profile, and scroll down to the text field under “Artist Bio.”
  2. Write whatever you want! We recommend a creative bio that helps fans get to know you better, but seriously go nuts.
  3. Link to anything on Spotify. You can paste Spotify links directly into the text field, or just use the @ symbol to link to whatever you want—artists or albums that inspire you, or playlists you’re featured on, or other artists you’ve collaborated with.
  4. Add a link to your Wikipedia page for fans who want to dig deeper.

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Filed Under: SPOTIFY

X-Rays of Degas Sculptures Illuminate His Unconventional Process

October 6, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Degas

Using X-ray imaging, conservation scientists at the Fitzwilliam Museum in Cambridge have found that the artist repurposed the stoppers to bulk out three sculptures of dancers that he made from beeswax, shedding light on his innovative and idiosyncratic process. The dazzling pictures of Degas’s figures — which bring to mind Étienne-Jules Marey’s early mocap suit pictures —  actually reveal a junkyard of sorts beneath the sculptures’ shiny surfaces: aside from corks, the innards of these dancers include everyday, lightweight material Degas would have had lying around his studio, including bits of floor. These fragments would have helped stiffen out his figures, which he built around twisted wire frames.

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Filed Under: ART, EDGAR DEGAS

Luciano Pavarotti & Enzo Dara “Voglio dire” L’elisir d’amore

October 5, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ENZO DARA, OPERA, OPERA SINGERS, TENOR

Interview: Mark Darvill Evans, Composer

October 5, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Mark Darvill Evans

What have been the greatest challenges/frustrations of your career so far?

It is worrying that the whole industry is going the way of modern mass-produced popular music, where experimentation and variety are being replaced with a narrowing range of expression. There is clearly room for both, but in an era of computer algorithms it makes mainstream listening very constricted.

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Filed Under: COMPOSER, INTERVIEW, MARK DARVILL EVANS

Ewan McGregor on Playing Two Characters on ‘Fargo’

October 4, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Ewan McGregor

“It’s nice to be able to work on two different characters at the same time. It’s a great challenge as an actor, and there’s something very satisfying about it. Before when I did it in The Island, one was a clone of the other, so they were very similar. And when I did it in Rodrigo Garcia’s film, Last Days in the Desert, one was Jesus and one was the devil, but the devil appeared to Jesus in his own form, so again, they were exactly the same character, really, although they had to feel like different people. But in this instance, they look completely different, and they should feel different, and then the challenge for me really as an actor was to try and play the two parts without it being a hindrance to the audience. My goal was to make people not see me playing Ray and me playing Emmit, but just see Emmit and Ray and forget that it was being played by the same actor. That was sort of what my challenge was that I set myself. Otherwise, it’s a gimmick, and a gimmick doesn’t really hold over 10 hours of television, so that was my goal. And that’s quite difficult to do, and it was quite satisfying. I was happy that I actually achieved that, so yeah, I loved it.”

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Filed Under: ACTING, ACTORS, EWAN MCGREGOR

Do Musicians Perform Better with Eyes Open Or Closed?

October 4, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

open-closed eyes

As predicted, performance seemed to be enhanced by thinking with eyes closed, as in both the general knowledge questions and math problems, participants got a higher percentage correct when they did their thinking with their eyes closed.

Why?

Research in this area suggests that cognitive performance takes a hit when we are looking at distracting, task-irrelevant visual stimuli, because some of our brainpower is diverted to the task of suppressing or ignoring what we’re looking at.

Normally, it’s pretty important that we be tuned into our surroundings. That we notice the smell of smoke (cookies burning in the oven), be aware of cars running red lights (instead of texting while crossing the street), or recognize that strange silence which often signifies that the dog is up to some sort of mischief (taking dirty clothes out of the hamper to make a bed for himself).

But when it comes to performing, much of what’s in our immediate environment is actually not relevant to the task at hand (unless we’re talking about an orchestral performance, of course, in which case your conductor might beg to differ). So when we engage visually with the audience, puzzle over the meaning of the piece of tape on the floor in front of us, or marvel at how our hands are moving across the keyboard, this diverts precious resources from creating and shaping the phrase we are actually playing at the moment, potentially leading to a performance that’s slightly less awesome than it could have been.

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Filed Under: MUSICIANS, PERFORMANCE

Sophie Turner on Falling in Love with Acting

October 3, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Sophie Turner

Turner was introduced to acting at a very young age and fell in love with it. She says, “My mom putting me into a one hour acting group on a Saturday because she wanted some time to herself. She sent me off with all of my friends and we all did this acting class and we all ended up loving it, just completely falling in love. It ended up being kind of like our church. We were so dedicated to it. It was like a haven for me.”

Turner looks at playing Sansa as a rare opportunity to progress within a character over a long period of time. She reveals, “It has been such a blessing. Normally you play a character for a month or so, and then you are done with it, but to be able to flesh out a character for over eight or so years has been really amazing. She’s a project that I really feel is part of me now. Everything that happens to her affects me. I have kind of been living through two people for the past eight years.”

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Filed Under: ACTING, ACTORS, SOPHIE TURNER

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