
Pergamon and the Hellenistic Kingdoms of the Ancient World
The Metropolitan Museum of Art

Edgar Degas: A Strange New Beauty

The Folk Art Collection of Elie and Viola Nadelman
(via)
DISCOVER YOUR REAL POTENTIAL
By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Pergamon and the Hellenistic Kingdoms of the Ancient World
The Metropolitan Museum of Art

Edgar Degas: A Strange New Beauty

The Folk Art Collection of Elie and Viola Nadelman
(via)
By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube
By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube
By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube
There is no question that in 2016, anyone who wants to be hired for anything, from writing to acting to plumbing, should be marketing themselves online (because if you’re not, someone else is). But for writers specifically, there’s additional value in tweets and posts.
Cuz you know what writing a tweet is? It’s writing.
Because if you entertain, educate or inspire people online (or even better, all three), they’ll be even more excited about seeing you or your show in person.
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By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube
What matters more – talent or hard work?
All three teachers admitted that they can’t always predict who is going to be successful, and are often surprised by who wins and who doesn’t. Perantoni noted that it’s usually the student with both remarkable talent and tons of determination who does well, but that even then, there’s no guarantee.
Deck also acknowledges that a fundamental base of technical mastery must exist, to serve the artistic vision of the student. He breaks this down further in suggesting that good technique and execution will get you into advanced rounds, but what wins you the job is your ability to make music.
Roylance also suggests that you need solid technical execution to pass the early rounds, but that it’s the artists, not technicians, who make finals and win jobs. As such, he focuses first on fundamentals, and then progresses to musicianship and music-making as the audition approaches.
So the consensus seems to be that musicians need both solid technique and musicianship if they want to win an audition. If the goal is simply to advance, then clean playing alone may be enough. But if the goal is to win, the musician must also have something compelling to say.
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