Baryshnikov Explores the Troubled Mind of a Dance Genius

Mikhail Baryshnikov, one of the great ballet dancers of the late 20th century, tries to evoke the violently disordered mind of Vaslav Nijinsky, one of the great ballet dancers of the early 20th century, in “Letter to a Man,” an opaque and frustrating work of dance theater being presented at the Brooklyn Academy of Music.

It takes just a glance at the visual aspects of the production — the vampire-white makeup on Mr. Baryshnikov’s face would probably suffice, actually — to clock his collaborator in this misguided enterprise: Robert Wilson, the theater auteur known for his chilly and glacially paced, if often hypnotically beautiful, work. Mr. Wilson is credited with the direction, set design and lighting concept, “with” Mr. Baryshnikov.

I’ll say this, at least: Mr. Baryshnikov resists, for the most part, the studied, slow-motion movement that often characterizes Mr. Wilson’s work. There’s a jaunty spring in his step almost throughout the show, although at 68, and long since retired from his career as a classical dancer, he naturally makes no attempt to imitate, or even vaguely evoke, Nijinsky’s style, notably his famous jump, which was said to give the effect of utter weightlessness, as if he were pausing in midair.

(via)

An Insider Show Showing The Physical And Emotional Side Of Dancers

The Art of Movement

The Art of Movement

NYC Dance Project – husband and wife team, Ken Browar and Deborah Ory – have produced some of the most widely circulated images of dance on the internet. Leaps and other gymnastic feats will always be shared and liked more than most, but what makes Browar and Ory’s photos stand out is that they communicate not just movement, but interact with the viewer on a personal and emotional level.

Some of their photographs are now gathered together in a sumptuous new book, The Art of Movement,where they have been beautifully reproduced and bound; a worthy frame to enhance their work. The book’s title is a modest one, because the art of movement comes from their subjects, but it is the art of the photographer which captures it so vividly.

(via)