Dutch Showband Plays Music While Driving a Bicycle!
Julio Bocca Talks About His emotional 50th Birthday Gala in New York this Friday

Youth America Grand Prix celebrates Julio Bocca on his 50th Birthday, as part of its Legends in Dance series, this Friday, 14 April.
For Bocca, returning to New York has a strong, emotional impact.
I’m staying at a hotel across the road from the Lincoln Center, where the gala will take place. Yesterday, I went onto the hotel’s terrace with a glass of champagne, and looked down on it with tears in my eyes as I have so many memories of dancing here.
I can only say thank you, as this city… this country… opened its arms to me when I was very young; an embrace that continued for twenty years! And now, again! To have something like this, now, here, ten years after I retired and just after my fiftieth birthday, right here in the Big Apple and at the Lincoln Center is just amazing. I’m feeling very excited and emotional.
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10 Small Steps You Can Take to Maintain and Grow Your Presence on Spotify

- Update your playlists with new songs
- Do social shout-outs to any artist you add to your playlist
- Promote your playlists via newsletter and social
- Re-assess the effectiveness of your playlist titles, descriptions, and artwork — and make any necessary changes
- Encourage fans to follow you on Spotify
- Pin a new song or playlist to the top of your artist discography page
- Embed Spotify players on your website for all your albums
- Check out your daily Spotify trending reports to better understand your audience and engagement on the platform, and to see what playlists include your music
- Give a social shout-out to any playlister who has added one of your songs
- Actually listen to your Discover Weekly playlist (it might be an easy way to find new tracks to add to the playlists you manage)
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How Humans Developed a Sense of Empathy In Order to Get Along Well Within Society
Pfeiffer Admits that Her Acting and Performing Skills Haven’t Changed Much Over The Years

Pfeiffer reveals that she started acting in high school in order to get out of an English class, but at the time she didn’t consider it a career choice. She explains, “I took theater to avoid taking an English course because I was terrible in English. And all of the kids in the theater department were thought of as being the strange kids on campus. But I felt right at home, which meant, I suppose, that I was one of those strange kids on campus. But nobody told me. And I loved it. I ditched every other class but that one. But I didn’t think about it seriously because it wasn’t in my reality at all. Then I went to court reporting school and started working at Vons supermarket.”
She admits that stenography school was simply her trying to find something to do. She says, “I didn’t know what else to do. And my friend’s mother was a stenographer. I thought, ‘Okay, I’ll try that.’ I didn’t like it. So then I was working at Vons supermarket. I was a checker. And I got kind of frustrated there. I remember distinctly standing in the check stand in a fit of desperation and wanting to tell one of these customers where they could shove this cantaloupe. I thought to myself, ‘What do you want to do with the rest of your life?’ And it was acting.”
Pfieffer admits that her acting and performing skills haven’t changed much over the years, and it’s something she remains self-critical about. She says, “I didn’t have any formal training. I didn’t come from Juilliard. I was just getting by and learning in front of the world. So I’ve always had this feeling that one day they’re going to find out that I’m really a fraud, that I really don’t know what I’m doing… I’ve taken a lot of workshops, worked with some really masterful teachers, and I don’t know that my method has actually changed from the beginning. I still work pretty instinctually—it’s a little bit like hearing the rhythm of the character in your head.”
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