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OPERA

Renata Tebaldi “Pace, Pace Mio Dio” from La Forza del Destino, Giuseppe Verdi

August 3, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: GIUSEPPE VERDI, OPERA, OPERA SINGERS, RENATA TEBALDI, SOPRANO

Young Romanian Soprano Adela Zaharia Wins The First Prize of the Operalia

August 1, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Adela Zaharia

Young Romanian soprano Adela Zaharia has won the first prize of the Operalia opera competition, established by Spanish tenor Placido Domingo. She also won the section dedicated to the zarzuela, a Spanish lyric-dramatic genre similar to the operetta. The two awards total USD 40,000.

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Filed Under: ADELA ZAHARIA, OPERA, OPERA SINGERS, OPERALIA, PLACIDO DOMINGO

How Quentin Tarantino’s ‘Django Unchained’ Is Inspired By Wagner’s ‘Siegfried’

July 28, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Django

In fact, Tarantino is said to have been inspired, in part, by a visit to the opera alongside actor Christoph Waltz. The work they saw? “Siegfried.”

The opera itself makes an appearance at one point with Waltz’s character Dr. Schultz relating the myth to the protagonist Django.

Django is ultimately Siegfried’s surrogate in the opera, growing from a speechless slave, much like the inexperienced and brutish Siegfried of the opera, into a polished hero that slays his own dragon and saves the love of his life.

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Filed Under: DJANGO, MOVIE, OPERA, QUENTIN TARANTINO, SIEGFRIED, WAGNER

Interview: Jennifer Johnston, Mezzo-Soprano

July 27, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Jennifer J.

Who or what inspired you to take up singing, and make it your career?

I’ve always sung, since I was a little girl, and I’ve always loved music. So singing as a job seemed like a natural step. However, I didn’t follow a logical route, as I first became a Barrister, after reading Law at Cambridge University. But the lure of singing was too great in the end, and so I accepted a place at the Royal College of Music and I’ve never looked back.

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Filed Under: CAREER, INTERVIEW, JENNIFER JOHNSTON, MEZZO-SOPRANO, OPERA, OPERA SINGERS

Watch A Virtual Opera watch a new production In A Very Different Setting – Inside A Shipping Container.

July 26, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Wales National Opera unveils new virtual reality project

Magic Butterfly sees two classic operas reimagined by Welsh National Opera

Presented inside the unlikely setting of a shipping container at locations across the country, visitors don headsets which use the Google Daydream technology to present Mozart’s The Magic Flute and Puccini’s Madam Butterfly in animated form.

Thought to be the first production of its kind, WNO commissioned REWIND, an award-winning VR production agency who have worked with Icelandic singing star Bjork, to work with them on Magic Butterfly.

Visitors are invited into the shipping container in groups of four in turn to experience each of the performances – lasting eight minutes in total – while being given simple directions to control the experience.

(via)

Filed Under: MAGIC BUTTERFLY, OPERA, WELSH NATIONAL OPERA

[News] Plácido Domingo to Conduct Wagner Opera At Bayreuth in 2018

July 25, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Placido Domingo

Domingo is leading a Wagner opera in Bayreuth during the summer of 2018. The work of choice? “Die Walküre,” an opera he has performed previously in his career.

 In fact, the role of Siegmund remains his most beloved Wagner interpretation, followed by his take on “Lohengrin” and “Parsifal.” Domingo has recorded other Wagner staples including“Tristan und Isolde,” “Die Meistersinger von Nürnberg,” and “Tannhäuser.”
(via)

Filed Under: BAYREUTH, DIE WALKURE, OPERA, PLACIDO DOMINGO, WAGNER

Why Mozart’s Opera Is More Relevant Today Than Ever Before

July 24, 2017 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

James Blachly

James Blachly is Music Director of Geneva Light Opera.

What is true, and what is real? In Mozart’s music, there is always more than meets the eye, and very little that is black and white. Don Giovanni is, in some sense our hero, since it is his story. But he is also the villain; the original title of the opera was “The Scoundrel Punished.” We come to a performance of this opera knowing that he will get his just reward — that he will be dragged to a fiery punishment at the end. Even so, the story is told in such a way that many people find themselves rooting for him until the end, while also cheering when he is dragged to hell.

Every production of Don Giovanni has to decide how much to portray the title character as a lover or a murderer, as a hero or villain. Ultimately, Don Giovanni is a study in contradictions. He is both a nobleman of high station and a callous brute whose servant complains of his sloppiness while he eats; he is seductive and cruel; rash and cunning; foolish, risking all for seemingly meaningless victories, and also ultimately fearless even in the face of death.

We at the Geneva Light Opera have tried in our production of Don Giovanni to reveal all of the above, and more, in this marvelous work. Under the expert stage direction of Phil Lauriat, our internationally renowned cast and orchestra will entice the audience with superb music-making and dramatic insights.

(via)

Filed Under: GENEVA, GENEVA LIGHT OPERA, JAMES BLACHLY, MOZART, MUSIC, MUSIC DIRECTOR, OPERA

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