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OPERA

Understanding Italian Opera

April 26, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Understanding Italian Opera

 

Opera is often regarded as the pinnacle of high art. A “Western” genre with global reach, it is where music and drama come together in unique ways, supported by stellar singers and spectacular scenic effects. Yet it is also patently absurd — why should anyone break into song on the dramatic stage? — and shrouded in mystique.

In this engaging and entertaining guide, Understanding Italian Opera, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early twentieth centuries.

Filed Under: BOOKS, DRAMA, LEARNING, MUSIC, OPERA, OPERA SINGERS

Maria Callas, The Exhibition: The Life Of La Divina On Display In Verona

April 21, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Maria Callas

Maria Callas: The Exhibition in Verona, runs throughout the summer opera season until 18 September 2016. It is the largest such exhibition dedicated to La Divina and contains artefacts from her personal as well as professional life.

Photography by Morgan Lefay Art.

(via)

Filed Under: ART, MARIA CALLAS, NEWS, OPERA, OPERA SINGERS, PHOTOGRAPHY

Is Opera In Cinemas The Perfect Introduction To The Art Form?

April 18, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Cinema attendances now outstrip those of the theatre, but is the cultural phenomenon of live relays a valid artistic experience in its own right?

The future of opera, and the role of technology within it, is a question that for some time has been at the forefront of my mind, both as a PhD researcher and an opera lover. Presently, a whole generation of potential opera fans are coming of age in a time where world-class productions are relayed live to thousands of cinema screens across continental divides.

(via)

Filed Under: NEWS, OPERA, VIDEO

Why Do Opera Audiences Boo?

April 14, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Photograph by Tristam Kenton for The Guardian

Last Thursday, in a new production of Lucia di Lammermoor at the Royal Opera House, directed by Katie Mitchell, themes such sex, miscarriage, murder, insanity and suicide were greeted with boos from some of the audience.

Booing new productions is nothing new, especially in Italy–where opera is a blood sport as well as an art–but why isn’t considerate acceptable for audiences to demonstrate their feelings?

Yvonne Roberts, journalist at The Guardian, writes,

If a musical, play or opera is intended to make an audience think, then, presumably, members of an audience are entitled to think differently, so why can’t this be articulated?

Given the plethora of productions that have the label “thought-provoking” slapped on them, isn’t it time to return to a little more genuine interaction? Of course, this should show some manners. It is not to be confused with a single individual in the balcony, two sheets to the wind, who heckles through Othello as enthusiastically as a seven-year-old at a production of Jack and the Beanstalk. “Look out, Desdemona! He’s behind you!”

Photograph by Tristram Kenton.

Filed Under: NEWS, OPERA, OPERA SINGERS

O Sole Mio by The Three Tenors

April 8, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: JOSEP CARRERAS, LUCIANO PAVAROTTI, OPERA, OPERA SINGERS, PLACIDO DOMINGO, SINGERS, VIDEO

Tips To Master Your Audition

April 8, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

1. Preparation

  • Know for whom you’re singing and why.
  • Have all of your audition repertoire in top condition.
  • Plan and practice how you’d present them to a team behind a table five feet away or to a panel in a darkened auditorium.

2. Repertoire

  • Your repertoire should be appropriate to the roles you can sing today.

3. Presentation

  • Remove older roles, non-opera gigs, irrelevant listings and any roles you don’t want to sing again from your résumé, unless there is another reason to keep them (presenting organization, conductor or director, etc.)
  • A singer should wear what makes him/her look good and feel confident and comfortable.
  • Know exactly what you’re going to say when you enter the room.
  • Have your audition binder ready. Include only those arias you want to sing today, and have your first selection first in your binder.

4. Results

  • Act as if you’ve already got the job.
  • Keep your composure whether you nailed everything or not. And then forget about it. Move on to the next audition or performance or life experience you are preparing, and don’t worry about the audition you’ve just done.

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Filed Under: AUDITION, OPERA, SINGERS

Startup Promises To Disrupt Opera

April 7, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Breaking News: New startup Suspension has received Series A funding for a plan to reinvigorate and revolutionize the world of classical music and opera.

At the Suspension TechCrunch presentation, Jones began casually, “I was so surprised to discover that all the music Ava plays on her viola is by dead composers.” (Artistic advisor Mason Bates seemed to be glowering at this point.) “So,” Jones continued, “what if they… weren’t dead?”

How? The company has already sequenced the composer’s DNA and plans to have a baby Puccini by the end of 2016.

(via)

Filed Under: NEWS, OPERA

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