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OPERA

Rachvelishvili and Aladashvili Musically Understand Each Other

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So, let’s start with the pianist, instead of leaving him as a footnote to the review. Aladashvili drew attention first and foremost with his playing, technically adept and winningly expressive, which meant that his impish antics were delightful; if he weren’t such a fine musician his behaviour would have been irritating. When someone called out (in Italian) ”Anita, you’re the best!”, he turned to the audience and said (in English) “And me?”, followed by a big grin before holding a hand in front of his face as though hiding his blushes from being so impudent. During the encores, a voice yelled, ”!” and he started playing the introduction to the Habanera before they segued into a different aria entirely (Saint-Saëns’ Mon cœur s’ouvre à ta voix; gloriously sung and well-suited to her voice). When they did arrive at Carmen, he began by playing a few notes of another piece before turning his iPad upside down, transforming the notes into the familiar dum de-dum dum intro to the Habanera. It was great fun and he’s an absolute delight.

To say that Rachvelishvili is impressive only because of her extremely powerful voice, or her uniform yet extended registers, is to ignore her keen musicality, attention to detail, and her delicately coloured and engaging interpretation. She grabbed the attention of the sometimes prickly La Scala audience the moment she first opened her mouth and they stayed in her grasp until her last note; no one was rushing out to get their coat this time.

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5 Ways to Make Opera More Appealing to Young People

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Metropolitan Opera

1. Stop Taking Cues From Movies.

The era of flashy movie musicals is over. The Great Gatsby closed us out, we’re done. La La Land is adorable but it’s not fantastical. We don’t want so much glitz and glamour in a movie because it’s just not in the zeitgeist now.

2. Instead, Take Cues From The Internet.

If you’ve never attended a Metropolitan Opera livecast, it’s a pretty great time. Sitting in a dark theatre with a bunch of opera fans, applauding at the same time as the New York audience is applauding… this is what technological dreams are made of. You can see an opera in the chicest opera house in the world wherever you live. It’s perfect.

3. Strike a Balance Between Modern and Classic.

We all know that pretentious art or dance troupe that must do an updated (or “reimagined”) version of everything. No classics, no standard fare. It’s a good way to look edgy, hip and aware. It probably draws a lot of donations from folks hoping to look like they’re “with it.” But this is a terrible strategy when it comes to drawing in newcomers to the art form.

4. Loosen The Grip On Merch.

If you visit a show put on by Broadway Across America, you can’t escape how much merchandise is for sale at every stop. There’s pillows, sweatshirts, knickknacks or every sort and sometimes even luxury goods. It’s capitalism at work. Merch is tastefully tucked away when you go to the opera. Whenever there is a gift shop, it’s usually tucked away inside the building. It’s easy to miss it coming out. They’re trying to be classy, God bless them.

5. Beg Regularly, And You Won’t Have To Cry Out.

NPR’s annual pledge drives are pretty famous by now. You know you’re going to get that call, and you know they’re going to recite all the stats about how important public radio is to the community and the world. You feel bad, you give money. It’s over.

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