• Skip to primary navigation
  • Skip to content

RESPIRO E MOVIMENTO®

DISCOVER YOUR REAL POTENTIAL

  • Book a session
  • Events
  • Testimonials
  • Blog
  • Gallery
  • Media
  • Contact

MUSICIANS

How To Win An Audition

June 8, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

What matters more – talent or hard work?

All three teachers admitted that they can’t always predict who is going to be successful, and are often surprised by who wins and who doesn’t. Perantoni noted that it’s usually the student with both remarkable talent and tons of determination who does well, but that even then, there’s no guarantee.

Deck also acknowledges that a fundamental base of technical mastery must exist, to serve the artistic vision of the student. He breaks this down further in suggesting that good technique and execution will get you into advanced rounds, but what wins you the job is your ability to make music.

Roylance also suggests that you need solid technical execution to pass the early rounds, but that it’s the artists, not technicians, who make finals and win jobs. As such, he focuses first on fundamentals, and then progresses to musicianship and music-making as the audition approaches.

So the consensus seems to be that musicians need both solid technique and musicianship if they want to win an audition. If the goal is simply to advance, then clean playing alone may be enough. But if the goal is to win, the musician must also have something compelling to say.

(via)

Filed Under: AUDITION, MUSIC, MUSICIANS

The Initial Mistake (Almost) Every Jazz Musician Makes

May 20, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

jazz musician

A jazz musician needs to know, by heart, as many standards as possible (hundreds). It doesn’t matter where you live in the world, most jazzers don’t rehearse and don’t decide on a set list in advance.

If you don’t know some of the tunes being called, then it doesn’t matter how great you play, you won’t get called back.  You won’t believe how many times I’ve met musicians that consider themselves jazz musicians that can barely play ten songs without the realbook.

Photograph by Josep Tomás.

(via)

Filed Under: JAZZ, MUSIC, MUSICIANS, SONG

A Step-By-Step Process For Refining Technique

May 19, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Matthew Shipp

Have you ever found yourself at a fork in the road with your technique? A time when it feels like you’ve gone as far as you can go with your current approach, and that in order to go to the next level, you have to make a change of some kind?

Based on the relevant research findings that do exist, they put together a 5-stage model of change. Named the “Five-A Model,” it is a framework for understanding how best to refine skills in performers whose technique is already highly automatized.

Stage 1: Analysis

The first, and perhaps most important step in the process, is to ask whether a substantive change to technique is really necessary.

Is the inconsistency of our sound under pressure due to some funky bow arm technique? Or simply because we haven’t figured out how to deal more effectively with nerves? Maybe both?

Is our thumb injury due to the questionable mechanics of our playing? Or because we didn’t warm up properly? Or played way too much when we shouldn’t have?

Stage 2: Awareness

One of the great things about having done something for a long time is that we don’t have to think about the details. Complex skills can operate automatically, out of conscious awareness, at an extremely high level. You don’t have to think about what your thumb does when you shift to 5thposition any more than you think about what your mouth is doing when you eat a quesadilla. You just do it.

Stage 3: Adjustment

If Stage 2 was about making the unconscious conscious, and developing some level of comfort with the new way of doing things, Stage 3 is about flipping things. In other words, internalizing the new way, and being able to execute with greater accuracy and consistency. To the point where the oldway starts feeling awkward and the new way feels more comfortable.

Stage 4: Re-automation

So by Stage 4, we’re feeling pretty good about the new way. But, wait! We’re not done yet!

This is kind of a precarious stage, because the new way is comfortable, but isn’t really “pressure-proofed” yet. Under pressure, we’re liable to default back to our old technique. Or, we might be tempted to think too much about specific technical elements instead of executing the whole movement in a holistic way.

Stage 5: Assurance

The last stage is about building confidence and trust in our new approach. Where we practice letting go of conscious control, and prove to ourselves that our new technique has been so deeply ingrained that it works on autopilot (or reveal that it doesn’t quite yet). 

 

Photograph.

(via)

Filed Under: AUDITION, LEARNING, MUSIC, MUSICIANS

What’s Working In Indie Music Today?

May 18, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Shannon Curtis

Ask singer songwriter Shannon Curtis about the key to her success as an independent musician, and she’ll tell you — literally — to hit the road.  She’ll encourage you to start touring with the help of your audience.

  1. Touring is the best way to interact with your audience and build your fanbase.
  2. Performing live can bring in more money than recordings, publishing and merchandise combined.
  3. You could win over more fans and make more money playing houses rather than clubs.
  4. Use social media to stay in close touch with her community, noting that Facebook is her most active channel.
  5. The New Artist Model is such a valuable tool.  That inspired me to put together a sponsorship application.

(via)

Filed Under: MUSIC, MUSICIANS, SINGERS, SUCCESS

Do Your Music Videos Pass This 10-Point Test?

May 17, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

camera man

Ask yourself the following questions. According to the Creator Academy, you don’t need to answer “yes” to every single one in order to make a quality video. But the more times you hear yourself saying “yes,” the more confident you should feel that you’re onto something good.

1. Shareability — Is the video relatable, topical, or remarkable? Does it help someone solve a problem? Will the viewer feel cool or knowledgeable when they share the video with friends?

2. Conversation — Does this video help me communicate with my fans, either directly IN the video, or as a conversation starter for other interactions (in the comments section on YouTube or elsewhere)? Will I appear comfortable and authentic?

3. Interactivity — Does the video involve the audience in some way? Does it ask a question of them, showcase their participation, or encourage them to contribute to future videos?

4. Consistency — Is there an element in this video that occurs throughout all my videos? A familiar face, setting, technique, or theme? Is the video “packaged” in a way that seems consistent with my other videos? Am I posting on a schedule?

5. Targeting — Do I know who this video is FOR? Who is my audience, and is this video going to entertain or inform that audience? Will that audience be interested in only THIS video, or will they enjoy my other videos too?

6. Sustainability — Do I have what it takes to keep doing this?

7. Discoverability — Will my video show up in YouTube search results and be recommended as a related video? Am I using smart keywords and titles?

8. Accessibility — Can a new viewer watch this video and appreciate it without having seen any of your previous videos? In other words, can this video stand alone?

9. Collaboration — Is there an opportunity to work with another artist with a loyal following on YouTube? Can I feature them in such a way so they’re proud of the results, and will want to share this video with their audience?

10. Inspiration — Do I really want to make this video?

 

Photograph by Sea Turtle.

(via)

Filed Under: MUSIC, MUSICIANS, SINGERS, SONG, VIDEO

What Is A Mechanical Royalty?

May 4, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

In a nutshell: every time a song you’ve written is manufactured to be sold in a CD, downloaded on a digital music retail site, or streamed through services like Spotify and Apple Music, you are owed a mechanical royalty.

(via)

Filed Under: MUSIC, MUSICIANS, ROYALTY

What Music Is For

May 3, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

what music is for

Miranda Wilson, an internationally performing cellist, says,

Music is not a daily vitamin or a nasty vegetable that you have to eat before you can have ice cream. Music is worth studying because music is wonderful.

Music isn’t just wonderful. It’s sublime, profound, challenging, polarizing, life-changing. Brain scientists have demonstrated that music activates our pleasure circuits.

Music is dangerous.

Music is so dangerous that even a dissonant interval between two notes–the tritone–was considered so subversive by the medieval church that they called it the “devil in music.” The implication is clear: music breaks rules. Music is above the law.

Music affords us a chance to create beauty in a world that is full of ugliness.

Photograph by Dasha.

(via)

Filed Under: MUSIC, MUSICIANS

  • « Previous Page
  • Page 1
  • …
  • Page 13
  • Page 14
  • Page 15
  • Page 16
  • Page 17
  • Next Page »

Copyright © 2026 · Respiro e Movimento®· All rights reserved

  • Facebook
  • Twitter
  • Instagram
  • YouTube