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MUSIC

The Youngest Woman Conductor In Broadway

October 17, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

The youngest woman conductor in Broadway

 

Madeline Smith, who recently conducted this summer’s epic Ragtime on Ellis Island concert in New York Harbor, makes her Broadway debut October 14 conducting the Broadway production of Waitress.

At age 24 she is believed to be the youngest woman to conduct in a Broadway pit. Smith has served as rehearsal pianist, music assistant, and copyist on the production.

”I am over the moon to take the stage with the wonderful cast and band of Waitress tonight,” she told Playbill.com. ”I’m so grateful to the mentors and colleagues who have been in my corner and shown me such generous support as a newcomer to this community.”

(via)

Filed Under: BROADWAY, CONDUCTOR, MADELINE SMITH, MUSIC

David Byrne Interview: Advice to the Young

October 13, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ADVICE, DAVID BYRNE, MUSIC, MUSICIANS

Daniel Barenboim | 5 Minutes On Beethoven – The Moonlight Sonata (C# minor)

October 11, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: BEETHOVEN, MOONLIGHT SONATA, MUSIC, PIANIST, PIANO, VIDEO

Experience Queen’s Bohemian Rapsody In Virtual Reality

October 7, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

A collaboration between Queen, Google Play, and VR developer Enosis, The Bohemian Rhapsody Experience offers a three-dimensional audiovisual journey featuring “interactive elements and spatial sound, allowing you to step inside the music.” The Creators Project’s Kara Weisenstein describes it as “peering into Freddie Mercury’s brain. The musician was famously coy about the song’s meaning, and while it doesn’t give anything away, this experience renders Mercury’s imagination in resplendent purples and blues. The ballad is a playful wonderland of bicycling skeletons and animated globes. During the opera, the scene is a spooky cave. The rock section is a neon trip through space, and the coda is a drippy, intergalactic aurora.”

Filed Under: MOVEMENT, MUSIC, QUEEN, THE BOHEMIAN RHAPSODY, VIRTUAL REALITY

Sir Adrian Boult Explains His Conducting Technique

October 5, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: CONDUCTOR, MUSIC

How to Write a Song With Jill and Kate

September 28, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Jill and Kate

Will you please explain how you approach writing a song? Does the music come first or the words?

We’ve been writing songs together for 13 years and very few have been written exactly the same way.

Most of the time the words will come first. One of us will have a line or a title idea and we will bring it to the other one. Jill will grab the guitar and start playing until we find a melody or chord progression that works with the lyric.

But sometimes we will have a musical idea and try to write lyrics to that. It all just depends on the day. There are so many ways to write a song . . . which is partly what keeps it interesting.

In a story, there is a beginning, a middle and an end. Your songs sound like stories, with conflict and resolution. How do you structure your songs? I found this structure on the internet: verse, chorus, verse, chorus, bridge, chorus, ending.

That is the most common structure for the songs we write. It’s sort of the natural flow of a “pop” song.

We like to always bring some sort of resolution if we can. We believe there is hope in everything . . . that there is always a light at the end of the tunnel, even in the darkest of places. So, resolution is definitely something we try to tie in to our songs.

Every once in a while it’s fun to break the typical mold and write a different structured song too. We have a song called “From Somewhere In The Bottle” that is basically just 3 different verse sections and no chorus.

(via)

Filed Under: MUSIC, MUSICIANS, WRITING

3 Ways To Find Unique Music For Dance

September 28, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Original Music is an Option

You can’t get more original than original music! If you are looking for an original composition for your choreography, you will need to find a composer. The task is not as difficult or unaffordable as you think.

It’s All Relative

If you are looking for something pre-recorded and you have an idea of what you want it to sound like, head over to Spotify. I often ask my choreography students to try this when they get “stuck” on a popular composer. If you create a playlist, Spotify will automatically generate a list of “related songs” right below it. This is a great way to discover new artists in a particular genre.

Licensed for More Than Listening

An important and often overlooked consideration is copyright. Copyright protections cover both the recording of the song, as well as a song itself. If you are creating work in a situation where you will need to get the legal rights to use your musical selection, you may find this is more difficult, or more expensive, than you had imagined.

(via)

Filed Under: DANCE, DANCERS, MUSIC

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