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Research Suggests That You Can Learn to Perform Well Even When You’re Nervous

August 11, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Dutch basketball

One study involved two comparable Dutch national-level basketball teams.

Both teams started off with a baseline test of their free throw shooting abilities, with 20 free throw attempts under regular practice conditions (i.e. no pressure).

Then, they repeated the test – but with some pressure thrown in. To induce some anxiety, each team was split into two sub-teams, which competed against each other for a prize of €25. Their shooting performance was also videotaped, and they were told that experts would be reviewing the footage to evaluate their shooting technique. They were asked to imagine that each pair of free throws were the decisive points in a close game. And the coach and other players watched each shooter throughout the test.

During the next five weeks, over nine practice sessions, both teams took an additional 96 practice shots (which worked out to basically a few extra free throws after warmups, and again at the end of practice).

The only difference between the two teams, is that one of them (the anxiety-practice group), practiced their free throws under the same anxiety-producing conditions as their baseline test. While the other team (the regular-practice group), practiced their free throws in normal practice-like settings.

Then, the athletes retook the shooting test – 20 shots without any pressure. And then another 20 shots with the competition, videotaping, and other anxiety-producing elements added back in.

Does practicing with anxiety help?

During their baseline test, both teams performed worse when anxious. The regular practice team regressed from 75.4 points to 70.2 points1, and the anxiety practice team went from 77.1 points to 72.7 points.

After five weeks of training, however, things changed. The regular practice team again performed more poorly under pressure (73.1 with no anxiety; 67.9 with anxiety). But the team which practiced free throws under anxiety-provoking conditions not only didn’t regress under pressure; they performed even better. Specifically, 71.3 points with no anxiety, compared to 78.0 points with anxiety.

(via)

Filed Under: LEARNING, PERFORMANCE, PERFORMANCE ANXIETY

Giacomo Puccini and His World

August 11, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

giacomo puccini

Giacomo Puccini (1858-1924) is the world’s most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini’s operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond clichés of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity.

Filed Under: BOOKS, OPERA, OPERATIC COMPOSER, PUCCINI

How Breathing Works

August 11, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: BREATH, TED TALK, VIDEO

Interview ~Vladimir Shklyarov (Principal Dancer Mariinsky Ballet)

August 10, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Vladimir Shklyarov-06

 

When did you start dancing?
I’ve suffered since childhood — my Mum wanted me to do it.

Why did you start dancing?
Because I was forced to… I didn’t want to!

Which performers inspired you most as a child?
Soviet cinema performers Yuri Nikulin and Andrei Mironov.

Which dancer do you most admire?
Vladimir Varnava.

What’s your favourite role?
Romeo.

What role have you never played but would like to?
Des Grieux in Manon.

What’s your favourite ballet to watch?
Don Quixote with Mikhail Baryshnikov.

Who is your favourite choreographer?
Yuri Smekalov.

Who is your favourite writer?
Fyodor Dostoyevsky.

Who is your favourite theatre or cinema director?
For movies, Tarantino — for the theatre, Lev Dodin.

Who is your favourite actor?
Danila Kozlovsky.

Who is your favourite singer?
Zemfira.

What is your favourite book?
The one I’m reading.

What is your favourite film?
Django Unchained.

Which is your favourite city?
St Petersburg.

What do you like most about yourself?
I’ll leave that for others to say…

What do you dislike about yourself?
I am very impulsive.

What was your proudest moment?
Creating my family!

(via)

Filed Under: BALLET, BALLET DANCERS, INTERVIEW, VLADIMIR SHKLYAROV

Morgan Freeman Narrates a Hollywood Blvd. Pedestrian

August 10, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: ACTING, ACTORS, MORGAN FREEMAN, VIDEO, VOICE TIPS

Blood, Guts and Passion – Carmen in two minutes on the BBC

August 9, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Filed Under: CARMEN, OPERA, OPERA HOUSE, OPERA SINGERS, VIDEO

We Three Risk-Takers Changed The Sound Of Music

August 9, 2016 By Respiro E Movimento · Follow us: Facebook · Twitter · Instagram · YouTube

Jordi Savall: I was part of a group of artists who decided to take risks. And thanks to that, today, a variety of music has been recognized and has become part of the classical repertoire. This may have been possible because, at one point, someone like Leohardt decided he had to play with a harpsichord and not a piano; or someone like Harnoncourt who decided he would direct certain repertoire in a particular way.  And I decided I would play the viola da gamba as I thought it should be played. I think I’ve been very consistent in my life and my way of making music. I started making music with Gustav Leonhardt when he created La Petite Bande, playing baroque repertoire with Anner Bylsma and Sigiswald Kuijken. I was in the creation of The English Concert, with Trevor Pinnock and Stephen Preston and I travelled every week from Basel to London to play with them. It was Nikolaus Harnoncourt who recommended me to substitute my teacher at the School Cantorum in Basel, in the subjects of chamber music and viola da gamba. It was a period in which each  of us, in our own way, contributed to learn that music is not only important for what it means within the story but also has a value for what it can provide today.

(via)

Filed Under: INTERVIEW, MUSIC, MUSICIANS

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